It's all about music, photography, the short story and politics of living.
Thursday, February 28, 2013
Sad Face at Jazz Window
Don’t go February – you’ve brought so little joy so why leave at a snail’s pace? My street looks like one giant snot bucket of gray matter put there by the sleet God - Von Herbert of Hell Froze Over.
I have heard the musicians cry – where were the gigs, I was available. I’ve seen street faces all searching beneath the soles of their shoes for sympathy. Not even a frothy cup of stew beef will revive the dreary grip of winter’s chill.
The dogs have spent the month holed up in the bedroom closet like adopted zombies. The joy of unlocking the back porch door has faded. That slow drag around the back lawn, sudden spin and gift dump all but forgotten. Just a whiff of inclement weather brought dog sadness and extreme lethargy. I threw a ball and it rolled – they watched then went back to bed.
So today, I will wave out my office window at each passing cloud - curse the snow greased sidewalk, laugh out loud to hear laughter, and reassure myself I paid something on every bill. March on!
Wednesday, February 27, 2013
I Am Still that Man..
Tonight my spouse proclaimed – ‘You haven’t cleaned the
bathroom in 44 years – of which I responded – I’m quite humble about these
things and go about without fanfare – no need to brag!
Look, I am man – I only see things in my limited field of
vision. The bathroom is totally out of focus – I barely see the carpet in my
office which at times looks as if the living dead come there to hibernate.
I see my computer, my Smartphone clearly – my iPad through a
glaze of greasy fingerprints. I see my piano like my eyesight was 50/50 – I
never miss. My rack of movies from a distance is an Adam and Eve garden of
delights in fact ‘No Country for Old Men’ and ‘There Will Be Blood’ sit there
like gargoyles guarding voyeur perimeter.
I have never missed target hitting the recliner spot on. I
don’t complain about a thing – in fact, I’ve forgotten how to complain. I’m
easy around the house. I bring you coffee in the morning, listen to your
compelling news mash ups. I rarely believe you when you say the weather
tomorrow will be catastrophic; I will in all likelyhood engage without warning
- maybe one day to my peril.
You can try and rearrange me but no matter which parts you
reassemble I will still come out oblong. I am man – garden variety – you can
purchase at Home Hardware.
Forty years ago I would have ran alongside a train to just impress
I’m the fastest, wrestled a land shark, beat the snot out of ten would be
assailants, starred a serial killer into cuffing himself but tonight I just
want to wish the pain in my right leg away. Christ sake – it’s been throbbing
two weeks.
Tomorrow I will rise and let the dogs out and you will
sleep. I will read the paper and you will sleep. When you rise I will have a
big smile reserved for you and you will settle into the recliner warmed like
angels placed soft coals underneath. All of this my love, ‘Cause I’m still,
your man!
Last Day of February! Yes…
The longest month of the year is about to close and good riddance.
Twenty-eight days in February is like time served beneath ground. There’s no
humor to this month – witness the hostile reception for Seth MacFarlane’s
tasteless Oscar antics – but then again this is the Family Guy.
Laughter during February is most difficult. Someone sprays a
joke on you and the response – huh? This is the, ‘I don’t get it month or I don’t
care to get it month’
I laugh continuously basically because I was born with a
laugh gizmo stuffed between lungs and heart. That’s why I can react out of
synch at punch lines from medical jokes – in fact CSI television puts me in
Shecky Green laugh trauma.
Above the gizmo is the same frayed dread blanket all of us
share this month. Please cover my feet!
March will be upon us and a whiff of spring will be in the
air if you live in North Carolina – Toronto – mid - April. Here it will snow
March 26th – just because you thought flowers were in near bloom
witnessing a few slivers of tulip stalks pop through the sidewalk. The jokes on
us – flowers have a sense of humor too.
We will walk with our heads down - curse the shivering winds
and ask ourselves why won’t winter die or why isn’t climate change doing a
proper job – we’re paying for it.
You will closely monitor those fattening buds on trees and
tell a friend or spouse – ‘See, spring is two days away.’ You will likely leave
the house wearing a sweater and running shoes and return after purchasing a
parka and rain boots.
Whatever the case without winter life is so wrong! The price
we pay for cruel February is returned in a jeweled cased exotic moment when first
we inhale the birthing of spring. Does anyone have a date for that yet?
Monday, February 25, 2013
And the winner is Michelle Obama?
Hollywood and politicians have made strange bedfellows from back in the days of Charlie Chaplin whose independence sealed a lifetime beyond the cherished reels and busy work of the war lords consigning him to distant shores until the final redemptive days. You are either with us or against never upon us.
Lord Louis B. Mayer gave the Republican Party a say in the
1920s in building a solid propaganda machine. Edward G. Robinson fought Nazi’s –
Ronald Reagan and George Murphy darlings of the high flying right served as
presidents of the Screen Actors Guild. Depending on which side of the aisle you
inhabited, politics of the day influenced the type of movies being made. We
went from gun toting Vietnamese slayer John Wayne in ‘Green Berets’ to Jane
Fonda’s Oscar win in the anti-war ‘Coming Home.’
Last night’s appearance of Michelle Obama although
predictable did come as a surprise. When I first caught a glimpse I knew political
interference was in play but willing to abide the show.
Obama is probably the most elegant well-spoken first lady of
our times. She exudes perfect health, ambition, opulence, beauty – the impossible
woman. She is style central; in fact last night in her Naeem Khan Gatsby era
art deco dress she put the entire flock of starlets to shame. I ask? Should
this be the case?
Jack Nicholson is the real deal but up against Lady Obama he
looked like the guy who missed the last bus. In fact, he looked like he couldn’t
afford a token.
I think where I’m going with this – I found it a truly
uncomfortable moment and not for anything Seth MacFarlane might have said. It’s
that spooky mix of Hollywood and Washington politics that leaves me dry. Separation
of Hollywood and State?
I’m an old lefty so for me to fess up to this takes a bit of
reflection. I never liked the stink of Chuck Norris hanging around or gun-crazed
Charlton Heston, so in all fairness,
beautiful – gorgeous perfect First Lady – rethink these spectacles. Please don’t
make this a habit. Your words were too completed and cultured – remember America
eats at Denny’s and parents work a dozen menial jobs a day and can’t afford ten
sequins on that dress. We know Ben Affleck was gobsmacked by your cameo – but
remember, that’s the guy who couldn’t get the Argo story straight even when Canadian truth slapped him silly at
every turn. And do remember FOX News will replay and dissect and stoke their
crazed club of lunatics into a Obama hate-filled frenzy – that in itself should
give one pause to consider.
Sunday, February 24, 2013
Life of Pi, Argo or Lincoln?
OK – I hid from the Grammys … that was on purpose. I try to
avoid eTalk with Ben Mulroney but CTV is the only channel I get downstairs on the flat screen and Ben
always seems too squeak in just after the news. Oh, how much do I loathe this
show?
I met Mulroney several years back and found him quite
affable and pleasant and for trash television this gets an A but that’s where
common courtesy ends. You need an extra large green garbage bag and a twist tie
to get through. You also need a spew cup and lots of paper towels and cleanser.
I love films and watch many, many, many during the year.
This season I made a point of catching as many of the main players possible and
must say it’s been a delightful experience.
So tonight, I will be watching. I do so because the academy
treats film with such reverence and high regard the show gets my attention. I
think Seth MacFarlane will be highly
entertaining. What I won’t savor is fifty support cast run on stage at the same
time and dry wrestle the microphone then thank those whose names pass quicker
than the closing screen credits. And again, thank you Harvey!
I remember Marlon
Brando’s snap at the academy – David
Letterman’s very funny one shot at hosting – Jack Palance’s one handed push up – the best of Billy Crystal – it was all highly
entertaining.
Hollywood has always partnered with social conscience even
when investors are polar opposites. It`s a untidy relationship that has worked
well for the most part.
Argo will most
likely take best picture – I`m still not convinced of its veracity or quality
next to `Silver Linings Playbook`-
`Lincoln`- `Life of Pi`- Àmour`, Django Unchained, Zero Dark Thirty etc. Ìf its Argo – it’s a win for producer George
Clooney – a favourite in this house who I still think got shafted last
season with The Descendants` – his
best work to date. You have to give it to the handsome man – he sure knows how
to charm defeat!
I always dig it when Toronto
Sun film critic Jim Slotek drops
in on Ted and I at Newstalk1010.
This is a rare opportunity to talk film with someone who does this for a living
and a disciple who truly knows the medium. We all have opinions not always
learned ones so it’s a good high hearing the man`s thoughts and probing on and
off air. That`s how us fans play! I`m always curious why people give so much
credence to a popular work or level serious criticism on another. I`ve got to
know for sure..
Truthfully, I`m a Life
of Pi guy. We stole center front seats ten rows up for Imax 3D experience. You
can`t get this kind of buzz from Argo.
That voracious hyena kept me squirming long enough to make me seriously feel I
was the next raw meat buffet setting. I have to give director Ang Lee the big, big up chop – I never
envisioned the film being as powerful and possible as Yan Martel`s grand
fantasy.
Silver Linings
Playbook? I wasn`t sure I’d catch this then I read enough grand reviews I
caved. Bradley Cooper had me from the downbeat – then toss in Jennifer
Lawrence. Tears were never far away mostly rimming the eyelids. I bought in.
Lincoln was
superb and as always Daniel Day Lewis
puts the Bo Jackson smack on this hitting farther than any park could contain.
Beasts of the
Southern Wild – that was truly a WTF movie. A bath tub is a tough place to
reside and all those mosquitoes, crawdads and dying. Great film but not a
repeat.Zero Dark Thirty - enjoyed but it didn't stick - just glad Osama is elswhere. Django Unchained - Tarantino never dissappoints yet this upsets as much as it delights.
Basically, I watch movies like everyone I know .. certain
actors never disappoint, the same for high prized directors, yet it’s still all
about the story. Blow-up crap like the Expendables
will always serve an audience of costume survivalist, which is cool but for me
2012 was a righteous high quality movie season. Tonight, I get to cheer my
favourites and thumb down those I have no connection. Dammit – that’s big fun!
As for Ben, Joan and Melissa I just bought a large bottle of Pinesol.
Friday, February 22, 2013
My Brother Deserves an A+
My brother is the funniest person I know. Tonight, he’ll be luxuriating
at a casino in Louisville, Kentucky.
Since the both of us got iPads we not only communicate every
day - we Face Time each other in the eye. Now, I remember looking at this guy
from an adjacent crib when at age two he worked magic on the bedroom wall with
his epic study in brown. Today, as photographer Henri Cartier Bresson says, as
we age we get the face we deserve. We look at each other and ask WTF, do we
really deserve this?
Every guy should have a brother. Brothers are solid! I had
two sisters one passed away and the other excommunicated not by church but by
her own doings. Don’t ever mention her name around brother he’ll dial 911 or
threaten to bust a cap in someone’s ass.
Bro read my FB review of the female-sing off on American
Idol the other night and asked if I saw the dudes implode last night. Fortunately,
I was caught up with the film - Seven Psychopaths
– Christopher Walken time! Brother goes on to describe the debacle with a serious
tone of desperation in his voice. You see, bro and I have worked with some
great singers over our musical lives and this messy wasteland of disposal singers
doesn’t play in our world. We were around for Marvin, Otis, Little Anthony, Lloyd Price, Joe Williams, Sam and Dave, Johnny Taylor, excuse me – Jackie Wilson, Little Jimmy Scott, Billy
Paul, Pebro Bryson, Luther Vandross,
excuse me again, Clarence Carter, Eddie
Floyd.. stop me – I’m out of breathless soul! We were even around for a
scream ranting Jerry Lee Lewis in
Indianapolis.
We are singer friendly. Most jazz guys dismiss singers as evil
plants there to shorten lengthy sketch-less soloing. Not us! I love a good horn
solo yet a good horn and great singer keeps me from poking my eyes out with a
nail clipper. I used to love long solos spread across the band but these days
it’s like rote snoring. I would pay someone walk on stage and lay out a fresh
twenty and pay them stop one course in. Long boring solos should have died out
with the Grateful Dead. It’s as if jazz guys abide by a civil code - I solo,
then you, then you, then you, then you, then you, - give the drummer some,
maybe. No one asks the audience who politely clap then text these words – “Christ
sake – another solo. Kill me!”
Most days, bro and I talk technology. My sibling is up on
everything. If we could have started life together now we’d probably be successful
techno vipers. We love this shit!
Bro kills on those iPad editing suites. I’m still in gooing stage.
I hack along and cut the basics but bro is smooth and instinctive. I love his
work.
The reason I’m writing this is for many years we existed in
parallel spheres. I never really knew the depth of his talent and he’d probably
heard enough of my music nonsense. When someone grieves about the golden years
I want to push them in front of a speeding Pachard – these times are far better
than envisioned. Something as unique and revolutionary as the iPad has given me
a daily connection with that little brat who painted masterpieces from his
diaper. Dammit, he’s gotten so much more artistic these days!
Thursday, February 21, 2013
American Idol 2013
Some shows stay beyond invitation and drag on like road
kill. American Idol needs an exit strategy.
I watched the sound off between the young women last night
and found it painful - maybe one voice with potential among the cheery
warblers.
I’m a hug fan of singers but not this kind of singing. I
caught Brittany Howard
of Alabama Shakes on Saturday Night Live Saturday past and
she truly gave one of the best live vocal performances in years on a show
usually fronted by unstable singing. The previous week Justin Beiber was heard raw absent auto tune and colorization - let
me find the words – Big Stank!
Throughout American Idol’s history three
singers have cut through with serious skills – Kelly Clarkson, Carrie
Underwood and Jennifer Hudson.
That’s not to say there weren’t a few other decent singers who found traction
on Broadway and a few with mesmerizing vocal technique. Adam Lambert should have been my fourth choice but somewhere along
the way he hitched himself to the bizarre and never returned.
Singing is still about the song and the
person the message and big heart – the connection. American Idol is about the package.
Brittany
Howard is in no way American Idol material.
She looks wrong. When she opens her mouth the face contorts in a way that makes
American Idol lip cooing dreaminess resolve
into Mad Magazine cartoon. That wouldn’t be acceptable on AI. Cute is a must!
Big curves a winner. Cute, big curves and doe-eyed humility – top twenty.
Don’t even get me started on the judges. I’ve
always enjoyed Keith Urban but I’m
sure he’d rather be somewhere writing songs and hanging with family. Nikki Minaj – what can one say – American Idol has dumped the entire
history of the show down a drain pipe putting this clumsy speaking Muppet in a
judge’s seat. Credibility Zero! Mariah is all about showcasing her body. She
looks as if she’s perched on a throne and contestants court jesters.
American
Idol is still about making every young aspiring bathroom yodeler believe
they will be a world- wide singing phenomenon. Stretch limousine rides, a
continuous flock of paparazzi in chase, long weekends in a Malibu beach house,
worldwide adoration and a dozen handlers there to repeat two words – You’re
Great!
The show will walk the same terrain as
previous seasons -jack the masses and the results will be the same. By next
season they will be looking for another set of judges and the cycle will
repeat. Thousands of Mariah wannabees will line up around city blocks never understanding
Carey was born with an unusual gift and is an absolute original.
More than anything the remote will now shy
away another season and avoid collision. That’s a good thing!Wednesday, February 20, 2013
Eric Clapton - The Chase, The Blues, the Cream!
I’ve been severely chased cross country three times in my lifetime
by recordings, the first – the Doors,
‘Break on through to the Other Side’ secondly, –The Blues Breakers with Eric Clapton and thirdly the Beatles , Sergeant Pepper’s Lonely Hearts
Club Band.
The mid 60s, The Doors
were resident house band playing Gazzari’s
on Sunset Strip long before success and Break
on Through was just getting hold of local radio. I was trying to get into Local
47 Los Angeles Musician’s Union so I had to do all sorts of weird calls during
the six month probation period - one being – picket the Doors. Gazzarri’s was a
non union establishment. The gig paid $16 a night so I went with it. First
night on strip I’m joined by a singer/actress Lynn Carey - Mama Lion. The picket thing quickly became a diversion
- Mama Lion - main attraction. This
woman was voluptuous in every manner. The Door’s
– who gives a damn, – the Lion ruled. Mama had more followers than Jimmy
Swaggart. Any intentions I may have had got swallowed in the surrounding crowd.
By 1971 she was a Penthouse go to playmate.
I had a habit of traveling across America and following the
hippie trail. My pockets were empty and accompanying me a Farfisa organ and amp
– a few clothes and no coin. It didn’t matter which small town or sleepy city I
crossed the Doors were breaking all around.
Heads shops were popping up like newly minted super market chains.
I’d drop in get my bearings and inquire about the local music scene. Playing in
the background far from mainstream radio
– John Mayall’s Blues Breakers with
the champ of blues guitar Eric Clapton.
This was stone cold - one of the best recordings I’d ever
heard; jazz, blues, rock whatever. Clapton had a killing sound and the backing
band, serious groove. John Mayall had one sweet blues voice. July 1966 was pure
magic.
The Blues Breakers
cover is eye catching. Evidently, Clapton was in a sour mood and began reading
a British children’s comic, Beano. That capture gave Clapton stand alone
mystery man appeal one that would stick the coming years.
Clapton played a sunburst 1960 Gibson Les Paul Standard a sound
that would shape the future of rock and roll. Gone was that Duane Eddy twang,
thin picking style in comes full throttle overdrive. I’d only heard one
guitarist before Travis Wammack come
near. Wammack played our high school gymnasium back in 1964. He put the small
amp in overdrive and blasted away at his instrumental hit ‘Scratchy’ then rolled around the floor picking with teeth then up
behind the back ‘Distortion Pt.1.”
Wammack would move on to be Little
Richard’s music director from 1984 – 1995.
I arrive in New York City totally unclear where the future
lie knowing I’d have to move quickly to stave off homelessness. I hooked up
with some street musicians who began showing me the ropes or how to avoid the
use of rope. I walked night after night – club to club. On one occasion I hung
front of the Café Au Go Go, the
basement night club -152 Bleecker Street and saw that a new British band called
The Cream was making its big club
debut.
I had already purchased Fresh
Cream in a super market in South Los Angeles a few weeks before and burned
the grooves to the core. I was working with this duo Roy and Don playing a few
soul venues. Roy could sing like Joe Tex – Don couldn’t really get a grasp of
Steve Cropper but was always near. I dropped by their parent’s home and popped
the disc in place. The album roared. Don swore he was tossing his guitar to the
curb Roy, couldn’t get a read on it and just attacked the singing. Me – I’m bled
Clapton.
From September 26 to October 1, 1967 the Cream were holed up at the Au Go Go. I
kept going back night after night. It was full frontal assault. Ten Marshall
amps stacked no more than twenty feet from patrons all sitting like
parishioners in church pews. Clapton wore a tan rawhide fringe jacket. Did that
make an impression? I went shopping the following day and located a knock- off
at the Mercury Gift Shop lower East side. The gift shop was my style central. I
could get a Nehru shirt of my own design done in two days and wear on street
that night. That kept heads buzzing and hippies ordering.The Cream gave you thirty to forty minute jams propelled by the fire-bombing semi jazz drumming of Ginger Baker. I studied him with intense observation – followed his eyes and warn myself never go near. There was an explosive vibe on stage understating there could be spilled blood if egos got seriously juiced.
Much like the Blues
Breaker cover Clapton seemed
oblivious and just did what he always did – drive those vibrating strings deep
past skin through every person in attendance. Jack Bruce played more bass that
most of us associated with rock – but this was evolution and it made perfect
sense.
I had no idea Clapton sang until he cut into `Crossroads`.
Up against Bruce`s piercing vocals Clapton’s seemed weak and near buried under
the weight of electric force. Still to this day, I don`t know how I survived
the bombardment but it was extraordinary.
I`m working with this soul band from Brooklyn and decide the
guitarist should have a clear view of the future so I invite him to join me
night three. Jack Dina was notorious. He was bred on Memphis soul and knew
every Steve Cropper lick and how to studiously apply. Dina was also crazy nuts.
He could sing and he could frustrate and instigate. He drove for the mob and
did many unsavory things which I wasn`t connected too and over the top
hilarious.
He`d arrive late at nearly every gig after a stop in
Brooklyn for the ‘boo’ – or hash or other head clams. It`d take him a while to
settle. Once in the pocket he moved in a twisted tight manner slicing the
Telecaster cross the rhythm pocket. He was manic but perfect. He could sing
like Wilson Pickett and keep the stage in fits. He was big laughter sporting a Brillo
head of red wiry hair and protruding chin like a cartoon mafia Don.
I really thought I could tame the chunk of burning coal long
enough to appreciate the Cream.
Dina arrives late but fully loaded with drink and drugs.
He`s loud and funny and set for the kill.
I scam seats two rows front of a few minutes before show time.
`Why the fuck so many amps on stage – I thought you said
this motherfucker can play – it looks like a music store up there. Is that shit
for sale?` Dina then goes deep into
himself laughing at his own observation.
By now, I`m getting fully embarrassed, when Dina starts
talking to the drum set, amps and most anyone nearby ripping the band before it
arrival. “Ì bet they don`t play any Sam and Dave,” he says.
I tell Jack I have to hit the men`s room and back soon. I
slip into a dark corner of club and watch Dina fidget around when suddenly the
band centres themselves on stage. Dina starts throwing barbs of which they
ignore until Jack Bruce has a few words. Dina then looks back, big chin
bouncing a satisfied smirk certified he`d gotten a righteous response.
The band kicks in at maximum volume - Dina near flat lines.
I see Jackie’s head tilt and slide safely below demarcation then nod approval.
He then points at Baker and gestures a couple improvised drum rolls - suddenly stands
up and screams `Clapton you suck!’ – Dina’s head rises, lips quiver then a
mammoth eruption of puke rockets above the front row. Holy shit! – I couldn`t
believe I witnessed. Sooner than expected Dina starts stumble walking down the
aisle covering both ears - holds balance until at entrance. He then looks back –
waves, slips the middle finger – ‘You suck, Clapton!’- this is my gift to you.
Fuck you all.’
We’re standing outside the club and I’m speechless. ‘Billy,
I know you meant well bringing me down here to hear this shit – but that band
don’t have no soul. Where’s the fucking beat?” Nuff said!
Tuesday, February 19, 2013
Levon Helm - Music from Big Pink (1968)
Greenwich Village was a hotbed of sounds and new faces back in 1968. Blood Sweat and Tears was a quartet, Stevie Winwood was seen sporting a fashionable Afghan jacket, Donovan strolled in and out of folk retreats floors coated in saw dust, Jimi Hendrix was rumoured the best village sleepover, the Cream recently blew the roof off the Café A Go Go, Todd Rundgren was holed up at the Café Wha - Neil Diamond the Bitter End – and Miles Davis proclaimed the Electric Flag the best band in the world.
During the golden age rock music had a distinctive voice– no
band played or sounded the same.
I was sharing a flat with bassist Stu Woods and pile of
current pop and jazz recordings. Eric
Mercury was a mainstay, Miles Davis,
Chick Corea, Santana and a lot of classic soul.
Every few days I would dig through piles of new releases at
a vinyl store up on Eight avenue when I come across this side called ‘Music from Big Pink’. It wasn’t the
title that caught my attention but the colorful sketch on cover. Secondly, I
liked the song titles. – ‘Tears of Rage’ – written by Bob Dylan and keyboardist Richard
Manuel, ‘The Weight’ by Robbie
Robertson, ‘Chest Fever’, the classic ‘Long Black Veil’ – Dylan’s, ‘I Shall be Released.’
Talk about a drop the needle experience! Rarely does a
recording spin the head as such.
Mountain music was
all around us as kids. Those trips through Tennessee and lower Kentucky put us
in the heart of twang country. Flatbeds with pickers and fiddlers, Grand Ole Opry,
roadside juke boxes, next of kin, conveyed a sound born of sorrow and lifted by
the glory of redemption. I loved real church music not the stuff imported from
England that made Jesus sound like a stiff contained in a wooden
box but those that shined light through tall Georgia pines and instructed heavenly
angels carry out their earthly duties governing the blue ridges. The lush
countryside scarred by war was a place where neglected bodies lay buried in unmarked
graves and arrowheads had a way of puncturing earth hundreds of years after the
last kill.
The moment I place the stylus in the first groove Levon Helm’s drums come snapping at the
knees. This is loose to the ground rhythm of a hundred raggedy dressed children
falling about in some kind of slump dance. There’s a pulse so laid back it barely
register but all of this inside sticking kicks the band in all the right places.
That singing? – Oh that singing! At first I thought it all come
from Robbie Robertson and Richard Manuel but on closer inspection
I get the message, it’s the drummer. Now, – drummer’s never sing this good or
urgent. I knew one, Kent Sprague from
Quincy, Illinois a gospel singer these days in Los Angeles. We worked together
mid-sixties and he was a positively divine soul master. Later he formed Boone’s Farm. Even then, I watch Kent
sing and play and couldn’t put it all together but looked on envious someone
could make such a powerful relevant tone while pounding a beautiful groove.
Levon was big southern landscape and it traveled wherever he
went. I remember seeing him and Sissy
Spacek in Coal Miner’s Daughter.
I had no idea what his acting chops would be but did he ever nail the part.
Levon was ever particle of earth he was delivered from.
When we first arrived in Canada we lived in shared eight
room accommodation on Hallam Street with Ronnie Hawkin’s pianist Scott Cushnie,
bassist Rick Birkett – guitarist Freddy Keeler and drummer Frank Defelice would
always be around. They were putting together a band that played The Band – ‘Jericho.’ It seemed like Jericho rehearsed twenty hours a day and
did we ever get a heavy dose of those songs. After awhile you wanted to change
the playlist yet it offered one a great appreciation for the craftsmanship that
went into producing and writing those epic songs.
The Band was
experts. Keyboardist Garth Hudson
was the resident genius who knew how to take the basic tracks and color to
perfection. His keyboard work is up there with the best ever. He comes from a
place where originals originate. The real beauty of Big Pink is the singing – those delicious harmonies that flow past one another – bend and tail away leaving just a scrape of rust and bitterness for all to savor. There is enough mournful coloring in the delivery to bring tears of joy and plenty pain when called upon. Phrasing like this comes from hanging outside Pentecostal Sundays and humming the big jam to yourself. Not all the voices heard separately were tuneful but together they rage with community emotion and immediacy.
Whenever I watch The
Last Waltz possibly the best concert documentary ever – Levon is the glue.
Not every player is consistent or performance redeeming but Levon is positively
masterful. His drumming rides the concert from beginning to end. It’s quirky
and from a place of collective history. By the final bar you know you’ve been
on a glorious journey few with ever travel. With Levon’s recent passing so goes
with him a beat that cracked perfect time and made the planet dance on his own
terms.
Monday, February 18, 2013
And Here is the Voice of Jazz
I always crack up when I hear the moniker thrown around. Yes, he’s the voice of jazz in Toronto, no, the voice of jazz for Canada, I heard this said at a recent function – let`s get with it - God stamped jazz pope on this person`s face.
There is no such thing or authority. There are folks who play jazz on radio, write reviews, fatten basement collections but they are fans with a fans knowledge of music. There are others that have held an instrument – labored transcribing and learning – they get it.
Musicians are the ones who understand. It comes through their hands, their souls, minds, and music. You would never hear one lay claim to being the voice of anything other than themselves.
There are some great jazz writers who play with words in rhythm with the players. They come the closet.
I`m always amused at top ten lists – it`s like film. In reality, there is no top ten. There are top ten opinions.
I`ve seen nearly every major film this season and to me there is no number one. If I were to have my say it would be `Life of Pi.` There, I said it. Saw Argo`` – good not great, Silver Linings Playbook`` – awesome, Lincoln``- a classic - `Zero Dark Thirty` - already forgotten. Àmour` - I`m not ready to watch an aging spouse tragedy.
There will be many who disagree and that`s cool – I`m just saying. We all know Kenny G`s `Duotones`is the greatest jazz side ever!
Mae West and the Queen of Drag!
It was a good thing I had nearly twenty years
of gigging under my belt by the time I met female impersonator Craig Russell.
It would have been near impossible deciphering each unpredictable moment spent
in his company.
A year or so later I get a call from Mingus tenor sax man Bobby Jones to play a strip bar - Iroquois Gardens. I was truly not versed in life much more than a trip to church and or a run up the river in dad’s cabin cruiser. Jones was crazy insane. I knew possibly three songs and a bunch of Scarlatti. The stripper wants 'Shangri-La'. Nothing like the sound of drums, piano tuned to A 330 and clarinet. Jones doesn't give a shit he wants the stripper. We're playing along - me in some foreign key clueless of chord changes. Jones would yell ‘G7’ and laugh his ass off. As we conclude the rhapsody when stripper yells.. ‘You stink! Jones looks at her and says, ‘You stink too, I can smell you from here.’
That's just a sample of the necessary steps
needed to endure and appreciate a Craig Russell. I always say the two craziest
music icons I've ever worked for we're Ronnie Hawkins and Craig Russell. You
couldn't tell them apart. Every moment in their company brought hilarity
most would grimace or dial 911.
So we’re flying above the clouds when I hear –
‘Bill’s my music director – he’s from Indiana – Bill stand up and take a bow.’
I don’t dare look back. “Hey Bill, Mae calling – back here honey.” I turn
slightly and every passenger was either laughing or in fear. “ If you don’t
take a bow, I’m coming up there.” I raise my hand. “There you go, the boy’s in
show business and he just showed some.”
Sunday, February 17, 2013
Little Richard - Bronze Liberace - Queen's University 1971
It’s
been decades since I’ve smoked a bowl of hashish and none finer than sharing
with the Bronze Liberace - Little Richard at Alumni Hall January 1971 – Queen’s
University.
I was keyboardist/vocalist with
Toronto outfit ‘Homestead,’ an act that caught the attention of Guess Who producer Jack Richardson in
1970. Jack understood my position with the American military and opposition to
the Vietnam War and did all he could to rectify. I just made the task near
impossible.
Homestead concerts were testimonials against war and degradation of the environment. I wore more Canadian flags than springtime on Parliament Hill. Jack just rolled with the situation.
We were invited to open for Little Richard – 7:30 set. The stage was outfitted in these humongous Traynor speakers. Back then they were cheap and sounded like stampeding caribou when fully exercised.
Richard collects half pay and hits stage and rocks the room. I feel like a miniature entertainer. This was big bold history and I’m a witness. The sound was horrible but who gave a damn. His foot hit the floor like a sledgehammer and he sang in ungodly tones – ‘Lucille, Blueberry Hill, Be Bop A Lula, Good Golly Miss Molly, Satisfaction, Midnight Special, Tutti Frutti’ and on. I’d rocked with Chuck Berry in 1968 but it in no way compared.
Gambling on Gambling
To be honest gambling creeps me out. I have a curious habit of estimating money dropped on lotto tickets at my corner store when I see a customer clutching a stack of spent coupons then discard in that cardboard box where all dead money goes. Most don't even bat an eye but I suspect an agony play rips inside.
I follow the mayor’s flirtation with a massive casino on the waterfront with great interest. I'm by no means puritanical but to me these places rob the soul - destroy lives - defile communities and drive deep sorrow. Yes, they are big fun and all that too.
Revenue is the
big scream but do they really pay as advertised. I would suspect the payback to
communities is on par with the pay back on individual slots - dimes and nickels
in comparison to profits.
I've worked Vegas
and Tahoe and had a blast. I invested possibly $40 gambling and that covers a
lifetime. I didn't enjoy gambling. I was more enamoured with the countryside -
adventure away from casinos – horseback riding – hiking wilderness.
I feel uneasy
watching gambling movies. It's the loss, the persistent soul wrenching pain and
recovery that makes one squeamish.
Years back I
watched Louisiana governor Edwin Edwards drop thousands at a craps table at the
MGM Grand. I must say the man wore the shine of big money. He showcased suits that
reflect the sun, teeth glistened and hair so perfect only a mannequin would dare
compete. He was the big loud dog at a table surrounded by gorgeous women and
much like the movies a crowd of goobers. The big rooster mesmerized, embraced
the dice, held hand high and launched down table. Then came the wind suck and
gasp from onlookers. Loser! It was terribly amusing and truly sad. Edwards
would eventually go to jail caught embezzling state funds for amusement,
let me guess?
A good bit of
lottery dollars have gone back in circulation and done a wealth of good. In
times as these it’s necessary to be creative in finding dollars to keep a teetering
economy afloat. I would think Woodbine Racetrack would be a more suitable
location for a casino. Plenty land and long experience. The waterfront should
be held in higher regard and we as citizens deserve a far more reflective,
creative vision that the one celebrated by the mayor.
Truly not worth the
gamble!
Subscribe to:
Posts (Atom)